国王与国家
292
1.0
超清
国王与国家
1.0
更新时间:01月04日
主演:德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,Keith Buckley,James Hunter,Larry Taylor
简介:The last time Britain was a major force in world cinema was in the 1960s; a documentary of a few years back on the subject was entitled 'Hollywood UK'. This was the era of the Kitchen Sink, social realism, angry young men; above all, the theatrical. And yet, ironically, the best British films of the decade were made by two Americans, Richard Lester and Joseph Losey, who largely stayed clear of the period's more typical subject matter, which, like all attempts at greater realism, now seems curiously archaic. 'King and Country', though, seems to be the Losey film that tries to belong to its era. Like 'Look Back in Anger' and 'A Taste of Honey', it is based on a play, and often seems cumbersomely theatrical. Like 'Loneliness of the long distance runner', its hero is an exploited, reluctantly transgressive working class lad played by Tom Courtenay. Like (the admittedly brilliant) 'Charge of the Light Brigade', it is a horrified, near-farcical (though humourless) look at the horrors of war, most particularly its gaping class injustices. Private Hamp is a young volunteer soldier at Pachendaele, having served three years at the front, who is court-martialled for desertion. Increasingly terrorised by the inhuman pointlessness of trench warfare, the speedy, grisly, violent deaths of his comrades and the medieval, rat-infested conditions of his trench, he claims to have emerged dazed from one gruesome attack and decided to walk home, to England. He is defended by the archetypal British officer, Captain Hargreaves, who professes disdain for the man's cowardice, but must do his duty. He attempts to spin a defence on the grounds of madness, but the upper-crust officers have heard it all before. This is a very nice, duly horrifying, liberal-handwringing, middle-class play. It panders to all the cliches of the Great War - the disgraceful working-class massacre, while the officers sup whiskey (Haig!) - figured in some charmingly obvious symbolism: Hargreaves throwing a dying cigarette in the mud; Hamp hysterically playing blind man's buff. The sets are picturesquely grim, medieval, a modern inferno, as these men lie trapped in a never-ending, subterranean labyrinth, lit by hellish fires, with rats for company and the constant sound of shells and gunfire reminding them of the outside world. The play, in a very middle-class way, is not really about the working class at all - Hamp is more of a symbol, an essence, lying in the dark, desolately playing his harmonica, a note of humanity in a score of inhumanity. He doesn't develop as a character. The play is really about Hargreaves, his realisation of the shabby inadequacy of notions like duty. He develops. This realisation sends him to drink (tastier than dying!). Like his prole subordinates, he falls in the mud, just as Hamp is said to have done; he even says to his superior 'We are all murderers'. This is all very effective, if not much of a development of RC Sherriff's creaky 'Journey's End', filmed by James Whale in 1930. Its earnestness and verbosity may seem a little stilted in the age of 'Paths of Glory' and 'Dr. Strangelove'; we may feel that 'Blackadder goes forth' is a truer representation of the Great War. But what I have described is not the film Losey has made. He is too sophisticated and canny an intellectual for that. The film opens with a lingering pan over one of those monumental War memorials you see all over Britain (and presumably Europe), as if to say Losey is going to question the received ideas of this statue, the human cost. But what he's really questioning is this play, and its woeful inadequacy to represent the manifold complexities of the War. This is Brechtian filmmaking at its most subtle. We are constantly made aware of the artifice of the film, the theatrical - the stilted dialogue is spoken with deliberate stiffness; theatrical rituals are emphasised (the initial interrogation; the court scene, where actors literally tread the boards, enunciating the predictable speeches; the mirror-play put on by the hysterical soldiers and the rats; the religious ceremony; the horrible farce of the execution). Proscenium arches are made prominent, audiences observe events. This is a play that would seek to contain, humanise, explain the Great War. This is a hopeless task, as Losey's provisional apparatus explains, 'real' photographs of harrowing detritus fading from the screen as if even these are not enough to convey the War, never mind a well-made, bourgeois play. Losey's vision may be apocalyptic - it questions the possibility of representation at all - the various tags of poetry quoted make no impact on hard men men who rattled them off when young; the Shakespearean duality of 'noble' drama commented on by 'low' comedy, effects no transcendence, no greater insight. Losey's camerawork and composition repeatedly breaks our involvement with the drama, any wish we might have for manly sentimentality; in one remarkable scene an officer takes an Aubrey Beardsley book from the cameraman! This idea of the theatrical evidently mirrors the rigid class 'roles' played by the main characters (Hamp's father and grandfather were cobblers too; presumably Hargreaves' were always Sandhurst cadets). Losey also takes a sideswipe at the kitchen sink project, by using its tools - history has borne him out.
624
0
国王与国家
主演:德克·博加德,汤姆·康特奈,莱奥·麦凯恩,巴里·福斯特,彼得·科普利,詹姆斯·维利尔斯,杰瑞米·斯宾塞,Barry Justice,Vivian Matalon,Keith Buckley,James Hunter,Larry Taylor
葛丽泰
291
6.0
超清
葛丽泰
6.0
更新时间:01月04日
主演:马尔库·纳尼尼,黛丽丝·韦恩伯格,Demick Lopes,Gretta Star
简介:巴西福塔莱萨的医院人满为患,70岁的佩德罗护士无法为患有肾衰竭的变性朋友丹妮拉找到床位。他毫不迟疑地把一个因涉嫌谋杀而被警察看守的受伤青年秘密带到自己的家里,并把他的病床交给了丹妮拉。尽管佩德罗是个年轻人,但他对女演员葛丽塔·嘉宝的热情甚至影响了他的性生活,而他的疗养院客人珍则与佩德罗建立了一种温柔的身体关系。当他们去洗同性恋桑拿时,佩德罗是那里最老的人,这促使琼称他为“我的老混蛋”。但是佩德罗应该如何认真对待琼的故事呢?那个年轻人的意图到底是什么? 阿曼多·普拉A的电影处女作《格丽塔》深情而庄严,讲述了友谊、爱情、性和年龄的故事。佩德罗每天都被疾病、死亡和其他灾难包围着,他有一种坚强的性格,这意味着他不容易发福。即使他对琼有一个惊人的发现,也不例外。 The hospital in Fortaleza, Brazil, is so overcrowded that 70-year-old nurse Pedro cannot find a bed for his transgender friend Daniela, who is suffering from kidney failure. Without further ado, he secretly takes a wounded young man, who is under police guard on suspicion of murder, to his home and instead gives the young man’s hospital bed to Daniela. In spite of the young man’s past, a tender, physical relationship develops between the caring Pedro, whose passion for the actress Greta Garbo even influences his sex life, and Jean, his convalescent house guest. When they go to the gay sauna, Pedro is the oldest person there, prompting Jean to call him ‘my old cocksucker’. But how seriously should Pedro take Jean’s stories? And what exactly are the young man’s intentions? Armando Praça’s affectionate and dignified cinematic debut Greta tells a tale of friendship, love, sex and age. Surrounded as he is by sickness, death and other disasters on a daily basis, Pedro is possessed of the kind of strength of character that means he is not easily fazed. Not even when he makes a surprising discovery about Jean.
4140
0
葛丽泰
主演:马尔库·纳尼尼,黛丽丝·韦恩伯格,Demick Lopes,Gretta Star
格列佛游记
291
6.0
HD中字
格列佛游记
6.0
更新时间:01月04日
主演:杰克·布莱克,艾米莉·布朗特,杰森·席格尔,阿曼达·皮特,比利·康诺利,詹姆斯·柯登,克里斯·奥多德,托德·约瑟夫·米勒,凯瑟琳·塔特,伊曼纽尔·夸特拉,奥利·亚历山大,理查德·莱恩,大卫·斯特恩,斯图尔特·斯卡德莫尔,乔纳森·阿里斯
简介:本片改编自英国作家斯威夫特的同名小说,讲述了格列佛在小人国的奇遇故事。格列佛(杰克·布莱克 Jack Black 饰)是一个公司邮政室小职员,岁数也不小,可事业和爱情却都一无所成,平时唯一的爱好就是星球大战玩偶作伴。一次阴差阳错的公派任务,把他带到了百慕大群岛,不料,出海即遭遇到大风暴。待一切风平浪静之后发现自己来到了一个地图上没有的神秘小岛Lilliput,这里住着成百上千“小人”。而自己正被他们用无数根绳子“钉”在了海滩上,成为了他们俘虏。但久而久之,小人国的人民和格列佛变成了好朋友。此时公主(艾米莉·布朗特 Emily Blunt)将被下嫁到另一个国家,但她已有了青梅竹马的爱人,格列佛出面化解了两国的纠纷,还帮助公主和爱人完成终身大事。格列佛因而变成了这里的英雄人物,而这段经历也让他明白了人类的内心的强大与否无关外表。
2376
0
格列佛游记
主演:杰克·布莱克,艾米莉·布朗特,杰森·席格尔,阿曼达·皮特,比利·康诺利,詹姆斯·柯登,克里斯·奥多德,托德·约瑟夫·米勒,凯瑟琳·塔特,伊曼纽尔·夸特拉,奥利·亚历山大,理查德·莱恩,大卫·斯特恩,斯图尔特·斯卡德莫尔,乔纳森·阿里斯
孤筏重洋
287
1.0
蓝光
孤筏重洋
1.0
更新时间:01月04日
主演:帕尔·斯维尔·哈根,安德斯·巴斯莫·克里斯蒂安森,托拜厄斯·桑特尔曼,古斯塔·斯卡斯加德,奥德-马格努斯·威廉,
简介:影片根据挪威著名探险家索尔·海尔达尔的真实经历改编,讲述他在1947年与五位朋友乘坐木筏漂流,穿越太平洋的传奇冒险故事。 挪威迄今投资之最(1850万美元)的影片,根据真实事件改编,讲述了6名探险家乘坐简陋木筏横渡太平洋的故事。 《祸水》的男星帕尔·斯维尔·瓦海姆·哈根扮演挪威著名探险家索尔·海尔达尔。 1947年,索尔·海尔达尔与五位朋友一起从南美秘鲁出发,乘坐木筏历时101天和4900英里到达南太平洋波利尼西亚群岛,创造了人类航海史上的一项奇迹。他想通过此举证明,1400年前远古时代的秘鲁人就是通过乘坐这种简陋的木筏,穿越太平洋而到达波利尼西亚定居的。海尔达尔将这段艰苦卓绝的简历写成了书,被翻译成全世界60多种语言,拍成的纪录片也获得了1952年的奥斯卡最佳纪录片奖,他也被称为“世界上最著名的挪威人”。然而在故事的一开始,他的想法遭到了所有人的嘲笑。 幕后制作 《孤筏重洋》由挪威与英国、丹麦合拍,英方制片人是同贝托鲁奇合作过《偷香》、《末代皇帝》的Jeremy Thomas,他也是近期文德斯的《皮娜》、柯南伯格的《危险方法》等国际大制作的制片人。《孤筏重洋》将由乔阿吉姆·罗恩尼与艾斯彭·山德伯格指导,他们2008年在挪威成功地推出了卖座的战争爱情片《马克思·马努斯》,并是当年该国奥斯卡外语片申报代表。 导演自述 电影关于什么? 传奇探险家海尔达尔的生平以及他在1947年乘坐简易的木筏穿越太平洋的真实故事。换句话说,这是一个关于永不放弃追逐梦想的故事。 《孤筏重洋》的灵感来源? 我们俩在挪威南部的一个小城长大,那里叫做桑德菲乔德。除了电影之外,我们从来没有别的追求,没有过其他的生活方式。但我们还是孩子的时候,《孤筏重洋》的故事就激励我们去追逐自己的梦想,无论是多么遥不可及的梦想并且永不放弃。我们希望这部电影也能够激励人们去冒险。去征服马特洪峰,去古巴航行,开体验66号公路,不管是什么,总之是追寻你的梦想。 筹备过程中遇到过的最大困难? 困难有很多,一开始简直是一团乱麻。这是我们所经历过的最为复杂的电影拍摄过程,幸运的是,在我们周围有很多了不起的人。 拍摄过程中受到谁的影响? 《大白鲨》,当然,它是有史以来最伟大的电影之一。我们不停地从八九十年代的电影中寻找灵感。在我们看来,那些年是电影的黄金时代。 花絮 .康提基(Kon-Tiki)号是根据印加人的太阳神神Viracocha的古名来命名。 .影片背靠背地拍摄了两个版本,一个使用英文拍摄,另一个则使用挪威和丹麦文。 .影片创下挪威影史上的投资之最(1850万美元)。 .影片在挪威本地收入1334万美元票房,是2012年在挪威最卖座的影片,超过了所有好莱坞大片。 .影片的两位导演乔阿吉姆·罗恩尼、艾斯彭·山德伯格是从小玩到大的好友。《孤筏重洋》是他们执导的第三部作品。他们的前一部《马克思马努斯》曾创下挪威十年来本土片的最高卖座纪录。
708
2012
孤筏重洋
主演:帕尔·斯维尔·哈根,安德斯·巴斯莫·克里斯蒂安森,托拜厄斯·桑特尔曼,古斯塔·斯卡斯加德,奥德-马格努斯·威廉,
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