“For two years starting in 2020, this work has been forming along the edges of disquiet and premonition, in fragments and intensities, through wandering and not-staying. It has tried to find language for and ways across the bizarre upheavals of social and political values with the rise of fascism in India and a global pandemic. It has insisted on being amongst the things that keep from falling apart. Filmed in Delhi, these incomplete fictions are of the people, places, and protests that keep the language of hatred at bay and absorb the city’s grief and euphoria. In them are the continuous echoes of a violent and tenuous present.
　　The false closures and tenuous associations in this video/essay compose a timeline of the city at an angle through the time of this work. There is a shadowy sense of a protagonist who un-dreams it all; a stranger, who it turns out, is no stranger at all.” Priya Sen

　　It centres on Rakesh, a man in his thirties and a guardian of Bombay's Koli fishing tradition, and his cousin Ganesh, who has faith only in technology and fishes for tuna using satellite geo-positioning.

　　在这部纪录剧集中，这名既有人爱又有人厌的巴西流行歌手敞开心扉，讲述她的感情生活、事业发展、各种争议，以及新专辑的创作

　　年輕的派翠西婭艾吉拉失蹤了，她的家人悲痛欲絕。幾週的痛苦接踵而至，直到有跡象證明派翠西婭還活著，他們才重拾希望，但她的言行舉止怪異，彷彿受人操縱。他們很快發現她去了秘魯，遭到一個教派大師引誘，於是開始奮力尋找她，儘管派翠西婭拒絕回家。本影集從各主角的視角出發，講述一個家庭戰勝悲劇的故事。本電影中的畫面可能會令部分觀眾感到不安，請斟酌觀看。

　　Five star movies制作

　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.
　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.