简介：重现古代最惨烈的自然灾难—大约2000年前，于公元79年的维苏威火山大爆发。 本片透过目击者的眼光，呈现庞贝城的最后二十四小时。有人试图逃离灾祸，有人惨遭夺命，其中有一人侥幸存活。小普利尼对这场惊人灾祸的说明，留存至今。透过他的解析、尸体所揭露出的线索，和从遗迹中起出的工艺品，庞贝城的最后一天得以再现。 这场人类悲剧的源头就是维苏威火山。它休眠了数百年，山坡也充满生机，却又突然爆发。在短短的二十四小时之内，它喷发出四十亿吨的浮石、岩块与火山灰，将庞贝和赫库兰尼姆这对双子城，覆盖于二十五公尺的火山碎屑之下。 ｢庞贝古城｣这部影片探讨维苏威火山的再度爆发，以及这对庞贝居民的影响。庞贝居民力抗迎面而来的灾祸，被迫做出终将决定自身存亡的选择。

简介：在世界著名男高音鲁契亚诺·帕瓦罗蒂逝世十周年之际，一部官方授权纪录片宣布立项，由好莱坞著名导演朗·霍华德执导。帕瓦罗蒂1935年出生，2007年因癌症去世，这部未命名纪录片的拍摄将会得到包括帕瓦罗蒂遗产委员会、环球音乐以及Decca唱片等相关部门的全力支持与合作。该片还未确定上映时间。 作为好莱坞大导演，人物传记片是朗·霍华德最擅长的类型片之一。

简介：“这可是总体战。没有人能帮我们，欧洲大陆已经沦陷，我们孤身对抗猛兽。”“有史以来最美的机器”和她英雄的飞行员们赢得不列颠之战的故事。传奇的秀泼马林引擎轰鸣声中一场不可思议的历史之旅。

简介：70年代晚期成軍的Pulp，寫下英式搖滾樂團最大器晚成的故事。整個80年代都被忽略，熬到90年代才因〈Common People〉搖滾國歌大紅大紫。紀錄片《關於Pulp的日常搖滾》以2012年底在家鄉的最後一場重聚公演為主軸，記錄了如夢境般的演唱會，也深情凝視了Sheffield這座城市，及安居其中形形色色的人們。

简介：An intimate portrait of poet, painter, musician and singer Patti Smith that mirrors the essence of the artist herself.

简介：In 1962 an unknown group from Liverpool entered Abbey Road Studios to record their debut single. During the next eight years they created what is arguably regarded as the greatest collection of studio recordings of the 20th century. This film charts The Beatles' extraordinary journey from Please Please Me to Abbey Road and reflects how they developed as musicians, matured as songwriters and created a body of work that sounds as fresh now as the time it was recorded. Narrated entirely by John, Paul, George and Ringo and Sir George Martin, the documentary features rare footage and photos from The Beatles' archives and never heard before out-takes of music and studio chat from the Abbey Road recording sessions.

简介：这部花费6年时间制作而成的纪录片，聚焦了动画业巨头皮克斯的发展史。片中主要采取的是面对面采访的形式，还穿插了皮克斯创作的一些顽皮形象的短片，其中更包括拉塞特获得学生奥斯卡奖的短片作品。众多被访问者——从汤姆·汉克斯、蒂姆·艾伦、比利·克里斯托到乔治·卢卡斯以及众位皮克斯的动画制作人——都尽可能详尽地解释了每部影片要达到特定艺术效果所需的技术条件。

简介：德国著名导演维姆·文德斯（Wim Wenders）在第一次观看皮娜·鲍什（Pina Bausch）出演《穆勒咖啡馆》时，便深深为这位“德国现代舞第一夫人”所吸引。他与皮娜迅速成为至交，并诞生了合作电影的想法。几经考虑，文德斯决定采用3D电影技术来展现皮娜充满激情与创意的 现代舞艺术，试图为观众开启一种全新而独特的视觉发现之旅。但是，2009年电影拍摄计划宣布后不久，皮娜·鲍什就因肺癌辞世，整个拍摄计划就此搁置。直到在与皮娜生前执掌的乌帕塔舞蹈剧场商谈后，文德斯才决定重新启动电影拍摄计划。本片将皮娜的几部舞蹈作品《穆勒咖啡馆》、《春之祭》、和《月圆》贯穿在学生和好友对她的追忆中，同时将镜头投射到充满工业景观的城市乌帕塔，立体化地诠释了皮娜独特奇妙的舞蹈美学，留下了对皮娜最美的赞歌。

简介：米哈依尔·罗姆通过16章节的纪录片《普通的法西斯》，探讨了深刻的主题：“我们该如何揭示历史的秘密？德国法西斯主义如何渗透到千百万德国人心中，腐蚀其灵魂、疯狂其理智的？”另一位导演康拉德·沃尔夫对此片赞赏不已。影片各个章节的副标题也都意味深长，例如“我的奋斗”、“被宰杀的羔羊”、“残忍的梦想与行动”、“元首指挥我们前进”和“纳粹的艺术”等等。为了说明每个标题的含义，影片运用了大量史料镜头，是苏联红军从帝国电影资料库中缴获的资料或是从德军战犯手中没收的个人收藏。通过运用蒙太奇的剪切组合，罗姆将历史场景和现代画面巧妙结合起来，并加入儿童的元素，使得影片非常引人入胜。人们今天观赏这部影片的感觉与它1965年首映时别无二致。

简介：英国Eels乐队的一名歌手Mark Oliver Everett将为你讲述他的天才父亲的传奇悲剧人生和神奇经历。他的父亲曾在24岁发表了一篇"多重世界"的物理论文，震惊了全世界，但物理学界并不买账，他的父亲只能放弃了量子物理学。现在这件事被认为是物理学界最严重的悲剧之一，他的理论如此超前以至于当时的人无法理解，50年后的今天人们才证明了他的理论... Singer Mark Oliver Everett - E from the Eels - explains why he made a film about his brilliant, tragic father Shortly after my father died the phone started ringing. My father was Hugh Everett III. When he was 24 he wrote a ground-breaking thesis about physics most commonly known as"the many worlds theory". It challenged the accepted notion of how the world works in such a huge way, stating that there were actually countless versions of ourselves splitting off and going through as many different scenarios as you could imagine, and the physics powers that be (Albert Einstein, Niels Bohr) were having none of this. They weren't about to let a 24-year-old knock their faces off the Mount Rushmore of physics. Getting no encouragement, my father gave up on quantum physics. It's now considered to be one of the greatest tragedies in physics that my father wasn't taken seriously. He was so ahead of his time that there weren't even ways to prove his theory mathematically, but now, 50 years later, there are. And it checks out quite well. I knew this day was coming ever since the phone started ringing in 1982. It was always some"physics groupie" asking for my mother so they could grill her for information about my father. And, as time went on and technology caught up with him, the interest kept mounting. I'm a singer and songwriter in a rock band called Eels. I never knew much about physics and my father was a complete mystery to me, even though I lived in the same house with him for 18 or 19 years. He rarely spoke. He was an ever-present lump of flesh sitting at the dining room table every night writing out crazy calculations on a pad of paper. That's about all I saw of him. When the BBC asked if I was interested in making a film, I jumped at the chance. I have tended to deal with my family by making them into little art projects. I made an album in 1998 called Electro-shock Blues that dealt extensively with my sister's and mother's deaths. While my sister's suicide note did indeed contain a passage about going off to meet our father in a parallel universe, I hadn't made anything that dealt with my father the way I had dealt with the rest of my family, and this was the way I liked to do it: make something that is therapeutic for me personally that, hopefully, can offer something for the rest of the world. The idea made me both excited and uncomfortable. And the uncomfortable part was what made me know it was something I'd have to do. I didn't like the idea of opening up that world of pain and going back to Virginia and Washington DC, places where I can smell the dread in the air because of all the painful memories. But to get the chance to hang out with my father's college roommates, who are all still alive, friends and coworkers, was too interesting for me not to go through with. I knew I was going to learn a lot about both physics and my father. And I did. The first few days of shooting were awkward and I felt pretty uptight. Then one day while I was being interviewed on camera about some painful experience, I heard Louise [Lockwood], the director, softly click her mouth and whisper,"Aw, E..." Suddenly I thought:"These people actually care about me." I then relaxed and probably started saying all sorts of things I would have been too guarded about before. I was struck by what a tragedy my father's life was. He has contributed something huge to the world, but for him it was painful. How would you like to come up with something so mind-blowing about how the world works, confident that you knew it was true, but have no one support your view? It must have been the loneliest life, being the smartest guy in the room, just having to shut up and keep your thoughts to yourself while the regular chimps all chat away. I was determined to help to give him the day in the sun he never got when he was alive. I spent a week at Princeton learning about physics and hanging out with my father's old friends. I did not inherit my father's gift for mathematics, and can barely calculate the tip after dinner, so it was a real challenge for me to be standing in front of blackboards learning about quantum physics. But I came to have a pretty good understanding of my father's theory. In Virginia I met some of my father's coworkers and even went inside the Pentagon (who knew security was so lax?). It was a very difficult process for me, but when it was over I felt really glad that I had done it. It's not easy going back to a place you really don't want to go back to and opening boxes of memories. Particularly with a film crew following you, trying to make you cry ("How does that make you feel, E?"). I'd be really glad if I had a son do something like this for me some day, so I'd like to think that my dad is smiling down from some parallel universe and saying,"thanks".

简介：

简介：韩国Mnet人气节目『PRODUCE 101』日本版确定制作！『PRODUCE 101 JAPAN』将从今日开始募集参加者（5.31截止），条件是日本在住的16~30岁男性。之后将展开甄选，最终组合将于2020年出道。 第一季国民制作人代表：ナインティナイン（冈村隆史/矢部浩之） 制作公司：吉本兴业&MCIPホールディングス

简介：这张DVD是为这张经典专辑的30周年纪念版。

简介：本片探讨了瓶装水行业在当今世界的作用，及其带来的对我们健康、气候变化、污染、石油依赖的一系列影响。

简介：漂亮的95是一档囊括了95年出生的同龄好友间淘气的模样，同时也展现出了他们对未来认真苦恼的模样。

简介：7人一天时间里在假想世界进行角色扮演，能否回避制作组处处隐藏的笑容陷阱、得到全额出演费，平时要逗笑别人的职业综艺人，在不能笑的状况中会产生怎样的效果，引发人们的好奇心。

简介：《平衡》是近几年来国内比较优秀的纪录片，一部现实主义作品，作者彭辉用了3年时间来记录，又浓缩在70分钟内播出，使大家感受到了时间空间和事件的震撼力，这是时空张力和对客观再现的综合表现。此片获得中国电视纪录片的最高奖项：金鹰奖最佳长篇纪录片奖。 全片没有一句解说词，这在其他纪录片中是不多见的。而事实上，在这部纪录片中，解说词也是多余的。开头为我们展现了广袤的青藏高原，接着是巍巍的昆仑山脉，最后出现在屏幕上的是“可可西里”无人区，也就是本片拍摄地点。奔跑着的藏羚羊，滑翔着的斑头雁，寥寥几笔为观众点出了这个世界第三大无人区，野生动物的天堂，更是藏羚羊家园的“可可西里”。以此作为之后片中表现“西部野牦牛队” 保护藏羚羊及其他种种问题设下铺垫。没有多余的画面与解释，简洁有力而大气。 片中使用了少量音乐，大多是自然音响。风声贯穿全片，在平均海拔5000米的高原上，即便用了防风罩，依然抵不住肆虐的大风，真实直接地表现了西部野牦牛队的工作环境。在环保主义者杨欣过生日片段中，大家为他学唱生日歌也是自然音响之一，毫不粉饰的音响带来了体现情感的最佳效果。 主人公扎巴多杰坐在卓乃湖前对着镜头讲述。他让我们知道了“索南达杰”，西部工委第一任队长，同18名盗猎者搏斗而牺牲。因此，扎巴多杰自愿请命成为“西部野牦牛队”队长，来到可可西里进行艰苦的工作。片中引用了故事片《索南达杰》的片断，把现实中索南达杰牺牲时，冻僵的躯体仍保持着握枪姿势的情形同演员再现的情形一同展现给观众，带来更大的震撼。这也是片中的一个亮点，对观众来说，会牢牢记住这一细节。 除此之外，片中还引用了一些资料，例如，偷拍的藏羚羊绒围巾交易现场、5000美金一条、800公斤羊绒来自中国等数据增强了作品的表现力，强调了“反盗猎”的必要性。也突出“平衡”这一主题。 导演彭辉也是幸运的，因为扎巴多杰本人就是个具有相当震撼力的人物，并且善于表达，他的个人魅力足以打动每个人。在镜头前，他毫不掩饰，非常直接自然地表达一切，对盗猎者强烈的愤慨，对政府某些官员的指责，对自己工作的执着。很多信息是通过扎巴多杰的表述传达给观众，这是此片很重要的一个构成部分。

简介：3个精英登山者在他们经历伤心的事情的时候抛下一切，只带着友情，一同前往登山界的鱼翅之地，从未有人成功登顶的梅鲁峰，这里的自然环境十分恶劣，在喜马拉雅山脉进行的冒险登山运动中这是令人梦寐以求的第一次攀登。

简介：Frontline examines both sides of the debate over vaccines. On one side, the public health community wholeheartedly endorses them. One the other, parents and politicians accuse them of causing disorders like autism.

简介：《陪你看说唱》是爱奇艺自制综艺《中国新说唱》的衍生节目。邀请节目选手及其它艺人嘉宾，观看当期节目，现场进行互动点评。通过热门选手,知名艺人,KOL等不同风格嘉宾的陪看组合,真实点评，结合说唱节目内容，挖掘并放大节目中能够引发话题讨论的内容点，嘉宾风格可专业,可搞怪，既可以包含对选手专业技巧的点评，也可以直观展现不同受众观看节目的真实反映。

简介：　　青春旅行类社交真人秀《怦然心动20岁4》，聚焦于当下的毕业生群体，开启一场毕业式的浪漫旅行。

简介：

　　节目是一档城市美食探索综艺，本季专注“烧烤”主题，由苏醒、杜海涛两位“饭搭子”作为本季主MC，前往深圳、武汉、淄博等六座城市，与好友共同打野当地特色烧烤、分享美食故事，体验城市真实烟火气，也寻找美食之间的情感共鸣。

简介：　　全景音乐竞演真人秀《披荆斩棘4》，将通过三十余位男性嘉宾不断挑战、探索、努力的故事，展现男性的奋斗精神和个性魅力。节目采用全新全景竞演综艺模式，经过初舞台、5场歌曲竞演以及家族诞生夜的合作与竞争，最终建立滚烫唱演家族。

简介：　　《PROJECT7（프로젝트7）》是由StudioSlam和SLL制作的全球男子组合选秀节目，2024年10月18日在韩国JTBC电视台播出。