港岛雪夜,街头无差别扫射,血流成河;医院爆炸火光冲天,惨叫此起彼伏。这不是末日,是毒品操控下的城市炼狱。毒贩以毒品掌控城市命脉,杀手为争夺货源血洗街头,警方在阴谋中艰难前行——当三方势力陷入混战,最令人窒息的逆转突然降临:操纵一切的毒贩,竟开始全面禁毒?雪夜之下,谁是幕后推手?谁能从这场罪恶风暴中全身而退?
顾盼和林须两人结婚多年,彼此之间感情一直十分要好。一场意外的火灾让顾盼失去了双眼,从此将要生活在黑暗之中,而直到这时林须才展露了自己真实的一面。实际上,她早已经移情别恋,不仅如此,借着丈夫眼盲,她甚至堂而皇之的将自己的婚外情人李斧接到家里来住。 顾盼的父亲留下了一个保险箱,只有顾盼知道密码,为了套出这个密码,林须和李斧开始上演一场又一场精彩的好戏。可是,就在两人的计划开始实施的前一晚,李斧竟然意外身亡,而这一切,和顾盼有着千丝万缕的关联。两男一女一个保险箱,为了利益,人心能有多险恶?
一位美国外交官的女儿在国外卷入了一场革命。
Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself. When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.