方德从小失去了父母,由爷爷福伯抚养长大,为了能多陪伴福伯,他创办了养老院。重阳节那天,养老院里搬来三位老人,福伯对新入院的袁瑞娟暗生情愫,却不知如何表白。袁老太的孙女然然因袁老太不愿出院而与方德发生矛盾。正在这时,福伯得了老年痴呆症,他忘却了自己的年龄,在袁老太面前做了许多浪漫举动,感动了养老院的老人,也打动了袁老太。此时,方德为扩建养老院需要大笔资金,老人们纷纷捐出自己的财物,袁老太也拿出了自己的珠宝,孰料袁老太的媳妇怕财产落入外人手中大闹养老院,打破了老人们平静的生活……
暂无内容
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.