Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself. When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.
貝琪並不缺錢,但患有偷竊癖的她總是忍不住對他人的財物出手。她在地鐵上行竊時遇見美麗的鋼琴家米蘭達,並對她一見鍾情。在偷了一名英國警察的皮夾後,貝琪遭到追捕,與警察你追我跑的逃亡路上,卻與米蘭達越走越近。兩人日復一日的相處中,情愫逐漸萌芽,身為偷竊慣犯的她,這次被偷走的竟是自己的心...