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真子许久未回家乡朋友家，引诱了朋友的儿子义雄，义雄的目光始终没有离开她的胸部，真子通过身体接触和玩弄天真的义雄来挑逗他。即使在朋友面前也不会停下来并寻找机会的 Mako。即使感受到 Mako 冲动的触摸，Yoshio 也难以忍受。此后，义雄深深地爱上了真子，但随着真子离开的日子临近，两人却在绝望的心情下，在厨房里展开了一场激情的恋爱
潘金莲（黄美贞 饰）被余氏送给了又矮又胖的烧饼小贩武大郎做他的妻子，潘金莲却喜欢上了武大郎的弟弟武松。之后，在王婆（金仁淑 饰）的穿针引线下，潘金莲勾搭上了风流成性的西门庆（单立文 饰），某日，武大郎于无意之中撞破了两人的奸情。为了保守秘密，潘金莲和西门庆联手毒杀了武大郎，之后，潘金莲名正言顺的嫁入了西门庆家中，做了他的小妾。婚后，西门庆依旧不改四处沾花惹草的本性，最终因为纵欲过度丢掉了性命，然而，早在此之前，潘金莲就勾搭上了西门庆的女婿，事情最终败露，潘金莲被西门大娘卖给了王婆。王婆唯利是图，只将潘金莲视为摇钱树，而得之武大郎死讯的武松决心替哥哥报仇。
故事发生在华北某山区。遭裁员的笨山（赵本山 饰）巧遇郁郁寡欢的木犊（石国庆 饰），二人在县城贴出广告：山木多功能有限公司承揽婚丧嫁娶、推拿按摩、美容化妆。一时间顾客盈门，可他俩根本不懂广告中所吹项目，被按摩的客人叫声像杀猪，割双眼皮基本靠画，来占卜的人更是被晕得五迷三道。开张第二天，就有人吊着胳膊找他俩算帐，二人落荒而逃。二人逃到乡下，承揽了某乡长为孙子搞的百日庆典，笨山还捎带着接下为张大妈（陈立中 饰）和王二婶（黄素颖 饰）两家结阴亲的活儿。冒充厨师的木犊正为一道广东莱猴脑着急上火，笨山赶忙弄一盘猪脑端上去充数。由于找不到王二婶儿子的坟地，笨山弄一副狗骨头冒充其儿子的遗骨......
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
